Don’t be shy about it. Try to get as close as you can. You'll never get all the way, and the separation might be truly remarkable. We have only to look to Richard Hamilton and his version of Marcel Duchamp’s large glass to see how rich, discredited, and underused imitation is as a technique.
*FOUR STATEMENTS TAKEN FROM BRUCE MAU'S "AN INCOMPLETE MANIFESTO FOR GROWTH". WRITTEN IN 1998, THE INCOMPLETE MANIFESTO IS AN ARTICULATION OF STATEMENTS THAT EXEMPLIFY BRUCE MAU'S BELIEFS, MOTIVATIONS, AND STRATEGIES.
Monday, February 25, 2008
Monday, February 18, 2008
HERITAGE
For this part of the project, I wanted to explore my personal background. For it, I chose old photographs of my family from random times in their lives. I focused it around my grandmother, who, especially while I was growing up, was a huge part of my life. I tried to choose photos from the most random parts of her life. Through this, I was also able to explore the concept of personal interactions.
MY MOM WHEN SHE WAS YOUNGER, WITH HER PONY.
MY GRANDMOTHER AND HER TWO BROTHERS, BOB [ON LEFT] AND DAVE [ON RIGHT].
MY GRANDMOTHER AGAIN-HIGH SCHOOL PORTRAIT. LOOKS ALMOST EXACTLY LIKE MY MOTHER.
MY GRANDMA AND GRANDPA'S WEDDING INVITE.
MY MOM WHEN SHE WAS YOUNGER, WITH HER PONY.
MY GRANDMOTHER AND HER TWO BROTHERS, BOB [ON LEFT] AND DAVE [ON RIGHT].
MY GRANDMOTHER AGAIN-HIGH SCHOOL PORTRAIT. LOOKS ALMOST EXACTLY LIKE MY MOTHER.
MY GRANDMA AND GRANDPA'S WEDDING INVITE.
Sunday, February 10, 2008
Saturday, February 9, 2008
Friday, February 8, 2008
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